Orshi Drozdik,
Individual Mythology
, poster, 1975-77
Orshi Drozdik
Individual Mythology
Orshi Drozdik (*1946, Hungary, USA) has been working with normative representations of the female body as a nude model and in nude drawings since she was an art student at the University of Fine Arts in Budapest in the 1970s. She analyses the patriarchal structures in the socialist system of art, which are contradictory to socialism’s promise of equality between the sexes. Drozdik left Hungary in 1978, working first in the Netherlands then in Canada. She later moved to New York.
artist's website:
www.orshi.hu
The series
Individual Mythology
(1975-1977) consists of drawings, photographs and performances and was one of Drozdik’s first works. In it, she embodies several famous modern dancers, such as Isadora Duncan, whom she associates with rebellion and liberation. She overlays her own free dance poses with historical photographs and projects images on dancing bodies in live performances as a means of challenging and subverting the female model as a static norm: “I am not the model, the model is not me.”
Courtesy Orshi Drozdik
Document media
Photographs
Issue date
1975-77
Relations
Dóra Maurer (MAU 1)
Tags
gaze
,
his/herstory
,
in/visibility
,
re-enactment
Back to selection
All work by this artist
Complete Archive
About the project
Partners
Imprint
Contact
Find us on facebook
abstraction
activism
aggression
aging
appropriation
authorship
be-coming
beauty
body control
body object relation
cabaret
capitalism
childhood
collectivity
conflict
consumerism
craft
dance/choreography
de/construct identities
death
desire
destruction
dis/ability
dis/appearance
dreamscapes
durational performance
exhaustion
extended body
failure
fashion/glamour
femininity
flesh
fluxus
fragmentation
gaze
happening
health/illness
his/herstory
housework/carework
human/non-human animals
in/visibility
inscription
institutional critique
intimacy
labour
language
laughter/humorous
lecture performance
manifesto
masculinity
masquerade
mass media
maternity
measuring
metamorphosis
migration
military
music
mythology
nationalism
nature
networks/affiliations
normativity
pain
painting/drawing
participation
patriarchy
pleasure
pop
post-communism
precarity
private/public
public space
queer
queer/drag
racism
re-enactment
repetition/seriality
resistance
ritual
roleplay
score
sexual violence
sexualities
skin
sound
state oppression
stereotypes
the common
therapy
torture
touch
trash
violence
voice
voyeurism
vulnerability